THURSDAY
Thursday kicked off with Corella lighting up the Main Stage with an electric set. They opened with fan favourite ‘Puppets’ and treated the crowd to their unreleased track ‘Rewire’, building anticipation among fans eager for its official release. The atmosphere was nothing short of euphoric, with fans jumping in unison completely immersed in the energy of their favourite band.
It was then, Good Health Good Wealth at the This Feeling Stage. Their high-energy performance ignited the crowd, with mosh pits breaking out during their track ‘Eating Good’. The band's infectious vibe had the entire stage buzzing.
FRIDAY
Friday kicked off with Cowz and their theatrical danceable set. This independent alt-pop band from Brighton brought amazing energy to the stage, immediately captivating the crowd. Their connection with the audience was palpable, drawing everyone into their bold empowering performance. Fueled by raw emotion and unapologetic female rage, Cowz delivered a set that was not just entertaining, it was genuinely inspiring to witness.
Next was Ellur on the Market Stage, delivering a stunning performance with standout tracks like ‘Your Dog’, ‘Yellow Light’, and her hit single ‘God Help Me Now’.
Next up, Polly Money took over the Truck Stage, continuing the strong start to the day. She's well known for her on stage work with the 1975 but this set showcased her own solo work; she performed hits such as ‘Milk & Honey’ and ‘Anything’ which the crowd loved.
We then rushed back to the Market Stage just in time for The Guest List. This Manchester-based group, formed in 2021, truly captured the crowd with their emotionally charged and socially conscious music. They performed a variety of songs, including their powerful latest single ‘Mary’, which highlights the issue of domestic violence with women. Another standout was ‘161’, a song inspired by WWII and Chappell Street, a road marked by significant casualties. Despite their serious themes, The Guest List presents real-world issues through upbeat catchy tunes. The crowd loved it, heads nodding along to every beat.
Back on the Main Stage, The Big Moon brought a wave of excitement, especially with their surprise cover of Fatboy Slim’s ‘Praise You’, which sent the crowd into a frenzy.
The Reytons followed with an explosive set, opening with ‘Red Smoke’, enhanced by powerful pyrotechnics that lit up the sky.
Then it was time for Blossoms. They opened with ‘Your Girlfriend’ and from the first note, the energy was unmatched, people were on shoulders, hands waving and mosh pits erupted across the crowd. They ran through a string of hits, including ‘Getaway’ and ‘Honey Sweet’, before closing their set with ‘Gary’. One fan, dressed as a gorilla and holding a sign that read "Gary’s Back," brought a hilarious and memorable touch.
To end Friday on a high, Nothing But Thieves headlined with a spectacular set. The atmosphere was electric, with confetti cannons, stunning lighting displays and a crowd brimming with energy. They performed favorites like ‘Welcome to the DCC’, ‘If I Get High’, and ‘Overcome’. Mosh pits broke out, fans sang passionately from shoulders, and it was clear just how much this band meant to the audience. It was a powerful emotional end to an unforgettable day.
SATURDAY
Saturday kicked off with a bang thanks to Westside Cowboy, a four-piece indie rock band from Manchester. They delivered hit after hit; Their setlist blended both released and unreleased tracks, including crowd favourites like ‘Alright Alright Alright’ and ‘I’ve Never Met Anyone I Could Really Love.’ They also treated the audience to a preview of songs from their upcoming album, set to drop on August 8th.
It was then Only the Poets lighting up the Truck Stage. They opened with their single ‘Miserable’, and by the time they played ‘Over & Over’, the crowd was singing every word back “No matter what I go through / I’d do it all for you” while clapping and dancing. Lead singer Tommy radiated infectious energy, running across the stage and igniting the crowd.
Scouting For Girls followed with a wildly entertaining set, closing with their classic ‘She’s So Lovely’. One fan even dressed up as an olive, referencing the iconic scene from ‘Angus, Thongs and Perfect Snogging.’
Next was Irish sensation CMAT, who owned the stage with a massive crowd hanging onto every move. Fans went wild performing the viral dance to ‘Take a Sexy Picture of Me’, proving just how much her music connects.
Between sets, the now-legendary “Coldplay Cam” kept the energy high and the laughs coming, with festival-goers diving out of shot in hilarious attempts to recreate the original. Off-stage, the festival grounds offered an incredible selection of food, shops and activities adding to the experience.
Wunderhorse took to the Truck Stage at 6PM and delivered an outstanding set. The energy was sky-high from the start. They opened with ‘Midas’ which instantly sent the crowd wild. ‘Purple’ had one of the best atmospheres of the weekend, with the crowd lighting up as purple flares were set off across the field and fans climbed onto shoulders. Many said “It’s a song that should never be removed from the setlist.”
Then came The Last Dinner Party, who delivered a dreamy ethereal set. Abigail’s vocals soared through the fields as the band played both new and old tracks like ‘This Is the Killer Speaking' and ‘Burn Alive’. Halfway through, they paused to display a QR code on the screens to support medical aid for Palestinians. "Some people say there’s no room for politics on a festival stage," Abigail said, "but this isn’t just politics, it’s human f**king rights." Phones lit up across the crowd as many stopped to donate, creating a moment of compassion and unity. They closed their set with the viral anthem ‘Nothing Matters’, sending the crowd into a frenzy.
Afterward, there was a sprint to catch Hard Life (formerly Easy Life) at the Market Stage. Frontman Murray Matravers encouraged fans to get on shoulders and dance like no one was watching, and they did. The energy was off the charts.
Closing out Saturday in epic style was Kasabian. From the very first song, the crowd went wild, mosh pits opened up instantly, crowd surfers soared and the whole field felt like a scene from a movie. Multicoloured flares lit the sky, adding to the cinematic energy. They performed with pure passion, including fan favourites like ‘You’re In Love With a Psycho’. But it was ‘Fire’ that truly stole the show, one of the most powerful live performances of the weekend, leaving no doubt that Kasabian still commands the stage like few others can.
SUNDAY
Sunday kicked off with Lime Garden opening the day with their track ‘Love Song’, setting a dreamy tone for the final day of the festival.
Next up was Chloe Slater, a rising star who absolutely lit up the stage. Her set was electric, filled with emotion and energy. A standout moment was her performance of ‘Tiny Screens’, which features in the film I Know What You Did Last Summer, a seriously cool milestone. She also played her newest track ‘Harriet’, a beautifully relatable, "Normal People-coded" song that had fans instantly hooked. Chloe is often compared to Daisy Edgar-Jones, and her presence on stage was just as captivating. (We even had the chance to interview Chloe for our print magazine, coming out this September — stay tuned!)
Later, Natasha Bedingfield took to the Truck Stage, and the energy shifted to pure joy. Crowds rushed in to see her and she spoke beautifully about dancing however you feel, letting the music guide you, and embracing self-expression. Her positivity was infectious as she danced across the stage, beaming with laughter and filming moments on her phone for memories. One especially powerful moment was when she spoke about the beauty of being single, how you don’t need someone else to complete you and how empowering that can be. She closed her set with her iconic hit ‘Unwritten’, which turned into one of the most magical moments of the entire weekend. Before the final verse, she brought her husband, kids and other family members on stage to dance with her, a heartwarming, unforgettable sight.
Elsewhere, the Women’s Euros Final was shown on two different stages, both absolutely packed with fans cheering in full force, united in support and excitement. The festival paused to celebrate a shared love for football and community.
Later in the day, Franz Ferdinand took to the stage and delivered a storming set. At one point, the band announced that England had won the final, prompting the entire crowd to erupt into a massive chant of “It’s coming home, it’s coming home, football’s coming home!”.
The Scottish frontman was both amused and impressed by the moment. Throughout his set, he was urging fans to put down their phones and immerse themselves in the music. The crowd responded with wild enthusiasm and plenty of crowd surfing.
Sports Team followed with one of the most chaotic and fun sets of the weekend. During ‘Here’s the Thing’, they encouraged fans to form a human pyramid, with people standing on shoulders. It was like nothing we’d seen before, surreal, hilarious and unforgettable.
And finally, closing out an incredible weekend were Courteeners. They opened with ‘Are You In Love With A Notion?’ and the crowd went absolutely wild, flares of every colour lighting up the night.
‘That Kiss’ was dedicated to the “Coldplay couple,” sparking laughter and cheers across the field. An acoustic version of ‘Bide Your Time’ brought a more emotional moment, with hands waving in the air and voices singing along in harmony. And then, ‘Not Nineteen Forever’ hit and the energy exploded. The connection between band and crowd was electric, a perfect send-off for the weekend.
As fireworks lit up the sky, visible even from the campsite, it was clear, Truck Festival 2025 ended on a high that’s going to be hard to beat.
The entire weekend was full of joy, community and pure music magic. From the stages to the campsite, the vibes were unmatched and the memories made will last a lifetime.
Olivia Brown
Images: Lucy Craig
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