Revealed to the world on 1st November 2024, the original album was already a bold and immersive experience. Yet, with the new tracks of the deluxe edition, the album feels even more cohesive, darker in tone, and emotionally richer - as if the band has refined their signature style rather than reinventing it.
The 'Lost in Heaven' Tour, which began last October and aims to finish in November, shows how well the band bring their cinematic sound to life on stage. The live versions amplified everything: basslines hit harder, transitions became seamless, and the atmosphere felt like being dropped directly into their world. Singles like ‘Facedown’ and ‘Remind Me’ teased the deluxe edition and kept fans engaged, giving a glimpse of the evolution in their music.
The opener, ‘Favela’, wastes no time dragging the audience into Chase Atlantic’s shadowy universe. Beyond the sleek production lies a fixation on escapism and destruction. Its violent imagery and woozy synths hint at addiction and mental unrest, making it a stunning start that establishes the emotional stakes for what follows.
‘Die For Me’ balances vulnerability with pounding trap drums. The lyric “If I overdose, will you die with me?” captures romantic fatalism - the idea of love and death colliding. Critics praised its intensity but also noted it revisits familiar Chase Atlantic territory, making it feel both classic and comfortably dangerous.
‘Ricochet’ is a fan favoruite, and it manages to be both catchy and deeply unsettling. The production literally “riccochets”, bouncing between moments of euphoria and collapse, which perfectly mirrors the emotional chaos in its lyrics. It’s one of the album’s most dynamic cuts, proof that the trio thrive when they let instability become the hook.
‘You’ offers a moment of intimacy after the chaos. Mitchel "Mitty Cave"’s vocals are given space by the simple production, which eventually transforms repetition into confession. It slows things down and draws listeners into a more emotional state, serving as a pivotal moment in the album.
In the middle falls ‘Demon Time’. Its hypnotic rhythm and pulsing synths make it both seductive and destructive. It bridges the gap between the first part’s high energy and the subsequent reflection by channeling late-night temptation. Although repetitive, its groove and atmosphere make it unforgettable.
The transition between ‘Demon Time’ and ‘Night Calls’ is so smooth that listeners may not even notice the shift, making the two tracks feel like a continuous movement from energetic intensity to introspective melancholy. It plays almost like an interlude - moody, nocturnal and emotionally fragile. Christian "Kras" Anthony’s vocals stand out here, bringing a softer edge and new perspective to the record.
An obvious standout is ‘Disconnected’. It explores isolation in a different way despite having a similar vibe. Because of the echoey production and robotic vocal layers, which perfectly complement the theme of isolation, it feels like one of the album's most concept-driven songs. There’s even a brief moment of silence before the song swells back, symbolising the emotional disconnect it's named after even more.
‘Hours Lost’ then carries a slower, reflective pace. The lyrics about regret and self-destruction hit hard, and as the breather after the album’s intensity, it provides a necessary pause before the emotional chaos returns.
‘Mess Me Up’ captures reckless abandon in sound and theme. The distorted production gives it a jagged edge, while Xavie Mayne’s smoother delivery contrasts Mitty’s raw urgency, making the song feel like it’s teetering on the edge of collapse. Together, they make the track feel unpredictable in the best way - and that’s exactly what makes it exciting.
One of the album’s most powerful moments is ‘Amy’. Every verse and chorus heightens the tension until the chorus explodes with pain and clarity, making its storytelling ability truly remarkable. Unlike most of the album, it tells someone else's story - a glimpse of trauma and empathy seen through another’s eyes. The faint female harmonies and eerie synths make it hauntingly cinematic and deeply human.
The singles, which began sustaining the album’s buzz months before its release, come next. ‘Doubt It’s’ confident and polished production set the tone when released in July 2024. It perfectly captures the band’s unique sound by balancing moody beats with catchy, melodic phrasing. It was the perfect teaser because it was both radio-ready and incredibly atmospheric, which instantly sparked fans’ interest in the full album.
Two months before the album’s initial release, ‘Mamacita’ was brought out, injecting Latin-inspired flair into the mix. Its playful energy and layered percussion show Chase Atlantic’s versatility. The tonal detour adds welcome colour and movement. With its lightheartedness and fun, it has become a highlight, especially in the live performances.
‘Don’t Laugh’ ends the standard edition with swagger. The witty lyricism and crisp production radiate confidence. Though not as emotionally striking as earlier moments, it closes the original tracklist with irony and style.
Let’s move on to the deluxe edition, where Lost in Heaven really comes to life. ‘Facedown’, released in August 2025, is raw and powerful, diving deeper into the record’s darker side. Its heavier bassline and sombre tone make it feel like a descent into the album’s emotional core. It’s the perfect re-entry point for the deluxe experience. Bold. Abrasive. Emotionally loaded.
Dropped in September, ‘Remind Me’ feels both broody and hypnotic. It places more emphasis on texture and mood than on catchy hooks, producing an echo-filled soundscape that lasts long after the initial listen.
‘Warcry’, one of the record’s most intense songs, slots in between. It feels almost anthemic and bursts with energy, making it possibly one of the most aggressive tracks Chase Atlantic have ever released. The pounding bass and confrontational delivery make it sound like an anthem of defiance and confidence that would electrify any live setlist when performed.
As the name suggests, ‘Victory Lap’ is a triumphant closer. De’Wayne and Larissa Lambert’s guest vocals give the track a sense of completion and community by introducing additional layers of tone and texture. It gives the deluxe edition the feel of a full journey rather than just a few bonus tracks, and it holds a sense of celebration.
Overall, Lost in Heaven (High as Hell) shows Chase Atlantic’s growth without losing their identity - a fully realised statement of who Chase Atlantic have become. It expands on the dark glamour they’ve always embraced but grounds it in deeper emotion, sharper production, and a stronger narrative.
From the raw emotion of ‘Amy’ to the intensity of ‘Warcry’, the album flows like a story - chaotic, reflective, and immersive. It’s proof that Chase Atlantic aren’t just making songs anymore, they’re building entire worlds with sound.
Engaging, expertly crafted, and unmistakably them, 'Lost in Heaven (High as Hell)' is the sound of a band completely in control of their chaos - and inviting listeners to get lost in it, too.
Lily Howard
Image: ‘Lost in Heaven (High as Hell) [deluxe]’ Album Cover