With that said, it certainly leaves a lot of pressure and a lot to be desired. As their first release in more than three years, alongside their return to Rise Records (the label that launched the band in 2010 with ‘With Ears to See and Eyes to Hear’), anticipation was building. But fear not, they’ve still got it. Leaning into their roots whilst subtly reframing them, the band have released a single that feels both nostalgic and necessary.
The track opens surprisingly stripped back with frontman Kellin Quinn’s instantly recognisable vocals, just seconds before breaking out into a powerful clash of drums and electric guitars. Fast-paced and driven, it combines all elements of classic Sleeping With Sirens with a refined sense of maturity.
‘An Ending In Itself’ is complexly built, taking twists and turns as the song progresses whilst also staying grounded with catchy guitar riffs, lyrical hooks and an anthemic chorus. The heavy bridge absolutely nails the classic hardcore sound, with Quinn’s vocals building in intensity before erupting into ferocious screams and one last explosive chorus. It’s textbook, and they earn top marks.
In an interview with Alternative Press, Frontman Quinn called it a “love letter to anyone in the midst of struggle”. He stated, “I think we live in an age where we’re supposed to pretend like we have it ‘all together all of the time’ so much so that we’re afraid to let anyone in. I think it’s important to have open dialogue and to ask for help when we need it. This song is about being brave enough to admit that we’re not always okay. No matter what you’re going through, there is hope.”
While there’s no album announcement just yet, with a label deal signed and festivals booked over the summer, it’s safe to say you’d better watch this space.
Emily McIntyre
Image: Travis Shinn
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