A producer, filmmaker, and myth-maker in her own right, SUUNCAAT transforms personal trauma into something both celestial and uncomfortably human, a confrontation between beauty and the body that carries it.
Built on haunted synths, elastic drum & bass fractures, and melodies that shimmer like fever dreams, ‘Signs’ moves like a living organism, mutating, collapsing, and rebirthing itself in real time. The production feels tactile: each sonic texture scratches against the listener’s skin before dissolving into euphoria..
At its mythic core lies the “golden violin child”, a recurring figure in SUUNCAAT’s universe; a symbol of precocious talent and the violence of expectation. Through this lens, ‘Signs’ becomes a reckoning with giftedness as both a blessing and a curse. When the violin enters in the latter half, it feels less like an instrument and more like a wound reopening.
Teetering between reverence and self-erasure, the lyrics unfold like a confession: “Night time mirror eyes go everywhere / gold child you’re the sign we’ve been waiting / don’t you realize you’re god, you decide”. It’s a portrait of devotion turned devouring, where love blurs into consumption.
In the music video, co-directed with Alexia ‘Rebie’ Lecours-Cormier, SUUNCAAT’s mythology takes cinematic shape. Rebie appears as her spectral double, a baroque, Hexadecimal-inspired figure moving through ritual forests and surreal mountainscapes.
It’s also SUUNCAAT’s first fully self-mixed track, and that autonomy radiates through every sonic choice. The mix breathes with tension, fragile and volcanic, mirroring an artist claiming her own scars as architecture.
With this stunning release, SUNNCAAT continues her evolution as one of experimental pop’s most magnetic disruptors.
Danielle Holian
Image ‘Signs’ Official Single Cover